So we all knew that a firmware update for the 5D Mark II was eminent…
With all of the new DSLR technology coming, it was only logical that Canon would upgrade their most popular camera. But I don’t think anyone expected to get this…
If you think you are going to shit your pants, now would be the time to do so.
DSLRFILM will be undergoing some changes over the next couple weeks. Bigger and better changes that will only make all of you that have been waiting happier and happier! We will be starting our Production Stories from DSLR filmmakers in the near future, and keep an eye out for tutorials. We’re beginning a hands-on approach to bringing the best tips for production scenarios. Get ready for your face to melt!
Two phenomenal Industrial Light & Magic artists have combined to their efforts to make one of the coolest looking short films I’ve seen in a long time! Hailed by acclaimed filmmaker Grzegorz Jonkajtys, director of “Ark” (Official Selecton - Cannes Film Festival) and co-written/produced by Philip Koch, the short takes place in a “polluted, megalopolis world where humans utterly depend on bio-mechanical alteration to withstand the deteriorating climate.”
The cinematography they achieved with the 5D Mark II is mind-blowing and it gets me all jazzed up that people in Hollywood are finally realizing what an amazing tool this camera is! You can see some of their behind the scenes photos from the set here!
The film has wrapped production and is now in post, but they’re in need of extra funding to finish off the film in time for Cannes Film Festival. If you like what you see and feel like lending a helping hand, visit their site here.
And well, at the very least, you should watch this trailer:
36stairs trailer from grzegorz jonkajtys on Vimeo.

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Wow, it’s been a while…
Things have been pretty slow in the DSLR world, so we here at DSLRFilm are spending time getting in contact with various production teams currently using DSLRs and asking for their stories. We are working on incorporating Production Tips for the Pre-Production to Post-Production process of shooting a film on DSLRs. This is something we’ve wanted to do for a while, and now we have the opportunity. Are you shooting a film with a DSLR? Tell us about it! We will let the world know! You can contact me directly at: petermarshfilms@gmail.com. Free marketing is a nice added bonus.
Now to other news.
Canon released the firmware update for the 7D finally. The firmware is now up to 1.1.0. If you own a 7D and haven’t updated yet, you can do so here!
With this update: “Corrects a phenomenon that in images captured by continuous shooting, and under certain conditions, barely noticeable traces of the immediately preceding frame may be visible.”
In 1D Mark IV news, Canon has reported overwhelming orders for the new camera and have ramped up their manufacturing to meet the demand. As of right now, the word on shipping is December 9, 2009. That means if you’ve pre-ordered a 1D Mark IV, there’s a good chance you’ll get it in time for Christmas. Booyah! Best Christmas present ever!

RED’s line of “DSMC” cameras have been talked about for what feels like an eternity now, with little to say about an actual release date. A new and impressive list of specs was released, as well as a $28,000 price tag, and GUESS WHAT? Still no release date…
With that point, when they finally do release it, who is really going to be able to afford it? Other than Hollywood studios and rich kids that is… Hell I bet even the rental price will be massive.
All of that aside, I have to admit that this camera is gonna kick some ass! The variable frame rates alone entice me enough. Here’s a little teaser for you:
* New MYSTERIUM-X 5K sensor
* 5K (2:1) at 1-100fps
* 4K (2:1) at 1-125fps
* Quad HD at 1-120fps
* 3K (2:1) at 1-160fps
* 2K (2:1) at 1-250fps
* 1080P (scaled from full frame) at 1-60fps
* Increased Dynamic Range, reduced noise
* Time Lapse, Frame Ramping
* REDCODE 250
* ISO 200-8000
* New FLUT Color Science
* Completely Modular System, each Module individually upgradeable
* Independent Stills and Motion Modes (both record full resolution REDCODE RAW)
* Touchscreen LCD control option
* Interchangeable Lens mounts including focus and iris control of electronic RED, Canon and Nikon lenses (along with Zoom data)
* LDS and /i Data enabled PL Mount
* Multiple Recording Media Options (Compact Flash, 1.8″ SSD, RED Drives, RED RAM)
The SCARLET, which is the one said to be most cost effective, has a lot of the same features but no real word on how much that will be. The thought is that it is more along the lines of current DSLRs.

So far, the 1D Mark IV is leading the trend on Video DSLRs with high light sensitivity, rolling shutter correction and various frame rates. Yet it also costs way more than everything else for what you get with it. Not too conducive to independent filmmakers…
I have a feeling that will change come spring when Canon is scheduled to release the 1D’s bigger brother, the 1Ds Mark IV. Keeping up with it’s history, Canon will add it’s final 1D camera to the lineup and more than likely add it’s best features to that camera. Some specs on this camera have shown up, and if they are true, it will put the 5D Mark II out of business…
Here’s what is being talked about:
-32MP Full Frame Sensor (some people have also heard 38)
-Dual DIGIC IV processors (no word on DIGIC V yet)
-New Video Features (1080 60p? We hope.)
-ISO range 100-6400 (no word on boost yet)
-5fps still burst
-Same AF system as 1D4
-Same body as 1D4
It’s still pretty early on so a lot of those specs could change. However the sensor info comes from a very reliable source so that should remain. When more info is leaked, I’ll let you know!

I know what you’re thinking… Who the F is Shane Hurlbut?
If you don’t know Shane by now, then you need to look him up immediately! Shane Hurlbut, cinematographer and photographer alike, Director of Photography on Terminator Salvation, has created a contest on his blog. This contest is amazing, seriously!
Shane and crew recently shot a Navy Seal film project using three distinct cameras; an Arri 235, a Sony 950, and of course the Canon 5D Mark II. The Arri is the only one that’s actually film (so we know how that looks), but the Sony has a much higher color depth than the 5D Mark II. Shane’s whole purpose of the contest is to see if you can tell which shots the Canon 5D Mark II were used on. And believe me, it’s really hard!
See for yourself at Hurlbut Visuals
Make a comment on his blog to enter into the contest!
The camera was just announced and there’s a short already? You bet there is!Canon DSLRs are like cocaine. Once you get a taste, you can help but snort that crap off the dashboard of your friend’s car every chance you get! (That one’s for you Charles…)
And of course, every time a new camera comes out, people have to get their grubby hands on it. And why not?
The first 1D Mark IV short was produced by none other than Vincent Laforet, the same guy who produced the first short on the 5D Mark II two years back. He has a propensity for being the first to test new cameras in a production atmosphere. His shorts might not always be the greatest content wise, but for the short notice he gets to make one (usually 12 to 24 hour notice) they come out pretty great. And he really puts the camera through the ringer!

Canon is rumored to be currently developing a new video camera with integrated DSLR functions that we’ve grown to love. Functions that will apparently blow the need for DSLRs out of the water…
The camera will be modeled after the current XL H1 and will include an EOS mount for interchangeable lenses. Two lenses are being developed specifically for the camera, one starting at 16mm and a tele-zoom starting at 70mm. Of course the EOS mount will allow you to use any EF or EF-S lenses that you’ve been getting for your DSLR.
The best part is the sensor and frame rates though! It will hold an APS-C sensor, that of the 7D basically, that will be able to capture 120hz or full frames a sec. It will be somewhere around a 12.1 MP sensor. The projected frame rates will be 24/25/30 & 60p in 1080p as well as 60p in 720p.
Like it’s DSLR counterparts, the images will be captured to a single CF card slot in a video format of MPEG-4 at 56mb/s. There is also rumor of work being done on a raw video format at 12mb/sec that will require an external IO module with uncompressed SDI out and USB 3.
As far as other video aspects in the camera go, I’m sure it will have a lot of the functions the XL H1 currently has. Price range will more than likely be in the $8000s. All other info has yet to leak, but when it does, I’ll let you know!
IT’S HERE! IT’S SHEER MADNESS! GET USED TO IT!Canon made it’s official press release today on the 1D Mark IV. For the longest time, the 1D line had been regarded as Canon’s “flagship” line of cameras and they proved that today with this guy. A lot was rumored, speculated, and discussed about this camera and for the most part Canon delivered everything we wanted and more. I’m for one incredibly impressed and for the projected price of roughly $5000, I feel like it really packs a punch!
Feel like the 5D Mark II is getting left in the dust? Worry no more, we’re finally getting the firmware update we asked for! 24P!

Canon’s newest Video DSLR, the 7D, has only been out for a week or so and, as expected with any new piece of technology, people are already complaining…
The first reported problem with the 7D was apparently a pattern noise issue that showed up even at low ISOs. The issue pissed a lot of people off, but it wasn’t apparent with every 7D. Only a handful of 7Ds had this issue and Canon chalked it up as a manufacturer defect and replaced everyone’s 7D. Since then, there haven’t been any more reports and the camera is working better than ever. Or is it?